The WHOLE BACKSTAGE THEATRE
Guntersville, Alabama
Alabama's Oldest Community Theatre
The Lion in Winter
by James Goldman
Directed by Johnny Brewer
Assistant Director - AJ Pollard
Assistant to the Director - Missy Erin
Assistant to the Director - Katherine Brewer
Costume Coordinator - Jan Price
Stage Managers
Steven Saint and Brad Watts
Assistant Stage Manager - Kevin Russell
Props Master - Katy Tarvin
Scenic Artist - Bethany Kerr
Hair/Make-up - Mia Oldacre
Performances
February 16, 17, 18, 22, 23, 24 & 25, 2024
All Show Times 7 pm except Sundays @ 2pm
Patron Tickets can be purchased at any time.
General Admission Tickets are ON SALE NOW!
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Synopsis
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The Lion in Winter is a 1966 play by American playwright and screenwriter James Goldman. Based on the life of King Henry II, who ruled over England and Ireland during the twelfth century, it concerns a number of fictional events that take place during a Christmas feast Henry II throws for the new King of France. The feast is attended by Henry’s three sons, each of whom schemes to usurp the throne. Their plots are complicated by those of additional characters, including Henry’s wife, Eleanor of Aquitaine, an insidious woman temporarily freed from house arrest for trying to supplant Henry with her own private army. The family, ironically, tries to hide their dysfunction from the King of France as Henry and Eleanor pit their sons against each other in a complex political battle. The play was acclaimed for departing from the seriousness of typical works about Henry’s reign, instead, comprising a comedic drama about the universality of family dysfunction.
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The play is set during Christmas of 1183, in Chinon, France, where King Henry II has a palace. Henry convenes with his secret lover, Alais, to talk about the party that will happen later that day. Henry
expresses anxiety that his wife is being released from prison for the event. They also discuss Henry’s wishes for the future of his sons. The king reveals that he hopes for his youngest, John, to succeed him as King. Eleanor, in contrast, wants Richard to take the throne. Henry also relates that he made a promise to Philip, the Prince of France, that Richard will marry his sister, Alais. He assures her that they can still see each other nonetheless.
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The scene shifts to a different room in the castle. Henry’s three sons squabble over who will take the throne, and their mother soon joins the fray, followed by Alais and Henry. Henry complains that they are distracting themselves from enjoying the festivities. Richard demands that he be the next king because he is the eldest and most experienced. John, however, is confident that he will be king because Henry favors him. Geoffrey grows sad, feeling unacknowledged. The three boys leave along with Alais, while Henry and his wife remain in the room. They continue to argue, and later in the evening, the husband and wife deploy their respective plans to strip each other of authority and end up with the crown. Henry facetiously tries to earn the respect of all three of his sons by implying that each one might be king, while Eleanor implements the same strategy. Their convoluted plans make it difficult to establish the truth about anyone’s intentions.